Robert Pattinson also graces this installment, delivering one of his best performances to date as Cedric Diggory and setting him up for a fruitful career - something we should all be thankful for. Everyone's hair looks truly terrible, and the Triwizard Tournament brings a ton of fun new characters into the mix - a recipe for teenage angst, which is often when HP is its most enjoyable. There are hormones in the air at Hogwarts as our favorite students enter their fourth year. It marks the series' transition toward more adult themes, going so far as to depict the first onscreen death in the series, to great effect. I'll admit to having a soft spot for all of the Harry Potter movies ( Fantastic Beasts does not exist in my perfect little world), but Harry Potter and the Goblet of Fire is, in my opinion, among the best. Killer performances, Martin Scorsese's expert direction, and one of the great soundtracks make it easy to love. If that doesn't sound interesting to you, I'm gonna go ahead and say that really doesn't matter. In case you don't know, Goodfellas is adapted from the book Wiseguy by Nicholas Pileggi (also the cowriter of this film and Nora Ephron's husband), which details the life of gangster Henry Hill (Liotta) and his time in the Mafia. I mean that - you literally feel as if there's a low level of electricity running through him, but he's just trying to keep cool. A balance of confidence, manic energy, and some undefinable X factor makes him excellent in almost any early role (check out Something Wild if you're a Goodfellas fan), but it's here that he's most electric. Blah-blah-blah, great cast, blah-blah-blah, but I really just want to focus on Ray Liotta in a powerhouse performance that's almost unbearable to watch, it's so good.
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Is Goodfellas the greatest movie of all time? It's definitely possible, and at the very least, it has the best intro hands-down (🎶 "I know I'd go from rags to richessss!" 🎶). I am desperately looking forward to the next installment, where we are promised more than seven minutes of Zendaya and someone riding the damn worm. Lil’ Timmy Chalamet gives it his all in this one and continues to convince me that maybe he’s just as great as we collectively believe, and Oscar Isaac delivers another stunning performance that gives me big, stupid heart eyes every time he’s onscreen.
Let me first say that I was not a Dune fan before seeing the 2021 film adaptation, but since convincing myself to see it, despite not being a sci-fi fan generally, I have chanted “DUNE, DUNE, DUNE” at least once a day simply remembering the blessed experience of viewing it in the theater. The story, which is ultimately a sweeping political drama, is great, but what brings the movie home are the technical feats: spaceships and planets and even giant worms, all rendered with such verisimilitude, you can’t help but believe for a moment that they’re real, organic things, along with seat-shaking sound, all of which was handsomely rewarded with technical Oscars this year.
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